The 4 "P's" of Mise en Scene

Point of View - the perspective that the camera and director give us on a character, location, or object. Two common camera angles are the low angle (tilt-up) and the high angle (tilt down). Neither perspective is neutral nor does the implication of using such a shot help the audience construct meaning.

High angle - implies weakness, vulnerability, loss of power

Low angle - or tilt-up conveys power and authority

Posture - Posture or body language are key clues in reading a character's mood and reaction. Watch closely at the way that the character acts and reacts physically to others or the environment around them. This can give clues to how the character is dealing with inner struggles and may foreshadow upcoming events.

Example: arms and legs crossed suggest a restrained temperament, while arms out and in motion suggests a more impulsive disposition.

Props - When everyday items are shown from a privileged perspective, it serves as a message form the director "This is important; I am telling you something here!" Composing the frame to include props gives special attention to what might be overlooked in a wider context.

Position - Position refers to the placement within the frame in relationship to other elements. Examples…

Above or Below - placement of a character above or below (on a staircase or in a building) another character is a common positioning tool within a scene.

Personal Space - a tight space can make one feel claustrophobic while an open space can make one feel abandoned.