Film studies is an
academic discipline that deals with various theoretical, historical, and
critical approaches to films. It is sometimes subsumed within media studies and
is often compared to television studies. Film studies is less concerned with
advancing proficiency in film production than it is with exploring the
narrative, artistic, cultural, economic, and political implications of the
cinema. In searching for these social-ideological values, film studies takes a
series of critical approaches for the analysis of production, theoretical
framework, context, and creation.
The critic of film in an
academic setting has not existed through the entire history of film. Not to be
confused with the technical aspects of film creation, film studies exists only
with the creation of film theory—which approaches film critically as an art—and
the writing of film historiography. Because the modern film became an invention
and industry only in the late nineteenth century, a generation of simply
created films by self-investigative producers and directors existed significantly
before the academic analysis that followed in later generations.
Early film schools
focused on the production and subjective critique of film rather than on the
critical approaches, history and theory used to study academically. Since the
time film was created, the concept of film studies as a whole grew to analyze
the formal aspects of film as they were created. Established in 1919 the Moscow
Film School was the first school in the world to focus on film. In the United
States the USC School of Cinematic Arts, established in 1929, was the first
cinematic based school, which was created in agreement with the Academy of
Motion Picture Arts and Sciences. They were also the first to offer a major in
film in 1932 but without the distinctions that are assumed in film studies.
Universities began to implement different forms of cinema related curriculum
without, however, the division between the abstract and practical approaches.
A movement away from
Hollywood productions in the 1950s turned cinema into a more artistic
independent endeavour. It was the creation of the auteur theory, which asserted
film as the director's vision and art that prompted film studies to become
truly considered academically worldwide in the 1960s. In 1965, film critic
Robin Wood, in his writings on Alfred Hitchcock, declared that Hitchcock's
films contained the same complexities of Shakespeare's plays.
Film as an art?
Film as an art?
Reference
Dyer, Richard.
"Introduction." Film Studies: Critical Approaches. Oxford: Oxford UP,
2000. 1-8. Print.
Sikov, Ed.
"Introduction." Introduction pg.1-4. Film Studies: an Introduction.
New York: Columbia UP, 2010. Print. Google Books
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